Equal / Opposite is a menacing display of juxtaposition, daunting by way of its might but with the tension alleviated by the bounce in its step. The infiltration of sound is made resolute by its sturdiness, as though every note played and every drum struck is needing to permeate feet-thick concrete walls, yet there’s a fun and frantic quality that seeks to downplay the opposing terrors like a presentation-giver imagining his glaring peers stripped down to their whities.

The collaborative LP Devil, Repent! by James Joys and Peter Devlin is a fascinating one — at times, difficult to listen to, but ultimately it’s a fine electronic translation of human erring and the industrial. It’s an ensnaring affair, which is the sort of quality that begs for the upheaval of context and intentions so that we may extract as much from the experience as possible. And both Joys and Devlin have wonderfully indulged us with their perspectives on Ireland and the literary left field.

In the 16-odd years since Braid invigorated a generation of jaded teenagers with ‘Frame and Canvas’, an LP which regularly creeps-in alongside American Football and EndSerenading on many a ‘pioneering emo records’ Tumblr list, a lot has changed.

The songs are as laid back as deck chairs, and they sway like slow-motion revellers bathed in the dwindling heat of a setting sun – but should you allow yourself to become lulled and write this off as a nonchalant frolic, you risk being claimed by the dark waves that approach once that sun has dipped below the horizon.

As Sinai Vessel prepare to once again brave the cathartic, sweaty discomfort of life on tour, ringmaster Caleb Cordes stopped by to talk about five tracks that he personally feels exemplify said lifestyle to a tee. The band’s new EP, Profanity, is a thoughtful and genuine collection of tracks that both sag with weariness and shine with glistens of optimism — here’s a chance to get yourselves acquainted before the jump.